Michael
Kelleher
Professor
King
Com
241
31
August 2012
Journal
Entry 1
I have been a fan
of the show Lost for years now. I
always admired the way the show was written and the wonderful acting from all
of the characters. The plot twists and turns of Lost were what it was known
for, however I never really noticed all of the direction from behind the
scenes, that made the show work so well.
The
first scene of Lost shows the main
character Jack waking up after a plane crash in the middle of the jungle. I’ve
watched this scene many times before, but this time I noticed how many shot
sizes are given in this scene. They do extreme close-ups, regular close-ups,
and medium far away shots all in a matter of seconds. Right after this, Jack
runs toward the beach when he hears screaming, and as he’s running, it shows a
great example of leadroom. Another scene that shows an example of the golden
mean is when Jack is standing next to the damaged plane. In this example, “A”
would be the plane, while the .618 or “B” was Jack.
Soon
after all the chaos cools down, many survivors are just staring around, and I
realized that this was a great example of the director showing lookspace. He
gives a decent amount of space between for the actors to look out into the
whatever, and it definitely adds to the scene. In one scene, characters Jack,
Claire, and Hurley are in the middle of the picture while the plane is to the
right and the ocean to the left, making this shot an example of “the rule of
thirds.”
While
I do not own a television currently, I read in Making Media that a computer screen like mine would have a 16:9
aspect ratio. I watched a television movie Wish
Upon a Star, a movie that I have seen many times back at home on my flat
and wide screen television, and I definitely noticed the difference between a
16:9 ratio and a 3:2 ratio.
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